My Interviews

Every interview, in one place.

Long-form interviews with filmmakers, actors, voice artists, musicians and photographers. Over fifty of them so far, and nobody has ever paid to be on it.

Official cover art and logo for The McAuley Tucker Show.

Newest first.

Genre
Format

13 pieces

She Made This Same Story Once Before, About Her Own Father┃Tessa Blake Interview

She Made This Same Story Once Before, About Her Own Father┃Tessa Blake Interview

Episode 73 · 11:06 min

We Gave Kevin James a Fake Account and It Got Away From Us┃John Kinnane & Jeffrey Azize Interview

Behind the Industry

We Gave Kevin James a Fake Account and It Got Away From Us┃John Kinnane & Jeffrey Azize Interview

Episode 61 · 17:41 min

We Should Have Used a Blue Screen: Making Bob Ross in Space┃Skinner & Allen Cordell Interview

Art & Photography

We Should Have Used a Blue Screen: Making Bob Ross in Space┃Skinner & Allen Cordell Interview

Episode 62 · 10:25 min

Fourth Time With the Same Team, and He Knows What That Means┃Berto Colon Interview

Film & Television

Fourth Time With the Same Team, and He Knows What That Means┃Berto Colon Interview

Episode 63 · 24:51 min

I Had My Real Bruises Covered Up So They Could Paint Fake Ones On┃Daniel MacPherson Interview

Film & Television

I Had My Real Bruises Covered Up So They Could Paint Fake Ones On┃Daniel MacPherson Interview

Episode 64 · 8:37 min

I Had Already Quit Acting. My Mom Made Me Do One Last Audition┃Hudson Hensley Interview

Film & Television

I Had Already Quit Acting. My Mom Made Me Do One Last Audition┃Hudson Hensley Interview

Episode 65 · 18:39 min

What Fred Rogers Taught Me at Six That I Put Into a Film at Forty┃Nicholas Ma Interview

Behind the Industry

What Fred Rogers Taught Me at Six That I Put Into a Film at Forty┃Nicholas Ma Interview

Episode 66 · 13:03 min

Grown Men Cried on My Shoulder at Sundance and Barely Anyone Speaks in It┃Cole Webley Interview

Behind the Industry

Grown Men Cried on My Shoulder at Sundance and Barely Anyone Speaks in It┃Cole Webley Interview

Episode 67 · 19:17 min

My Drama Teacher Mailed My Audition Out on VHS When I Was 14┃Adelaide Clemens Interview

Film & Television

My Drama Teacher Mailed My Audition Out on VHS When I Was 14┃Adelaide Clemens Interview

Episode 68 · 8:23 min

“If You Are Brave and You Die in That Ring, I Will Still Be Proud”┃Joe Taslim Interview

Film & Television

“If You Are Brave and You Die in That Ring, I Will Still Be Proud”┃Joe Taslim Interview

Episode 69 · 8:25 min

Spider-Noir’s Megawatt: “The Actor Is Just the Cover”┃Andrew Lewis Caldwell Interview

Film & Television

Spider-Noir’s Megawatt: “The Actor Is Just the Cover”┃Andrew Lewis Caldwell Interview

Episode 70 · 25:19 min

They Shot the Film First and Then Rebuilt It Live On Stage Every Night┃Daniel Askill Interview

Film & Television

They Shot the Film First and Then Rebuilt It Live On Stage Every Night┃Daniel Askill Interview

Episode 71 · 11:16 min

We Wrote Coach as a 65-Year-Old White Guy, and I Am Glad We Were Wrong┃Lauren Meyering & Lillian Carrier Interview

Film & Television

We Wrote Coach as a 65-Year-Old White Guy, and I Am Glad We Were Wrong┃Lauren Meyering & Lillian Carrier Interview

Episode 72 · 16:03 min

Conversations that did not happen anywhere else.

Some of these took a year of asking. A few I only got because nobody else had thought to ask.

Ron Galella

The last recorded conversation with the man who invented the modern paparazzi, seven days before he died in 2022.

Steve Hickner

The director of The Prince of Egypt and Bee Movie, on a podcast for the first time.

L.V.

The Grammy-winning voice on the chorus of “Gangsta’s Paradise”, telling the story of how the song got taken off his own album.

Ruby Barnhill

The lead of Steven Spielberg’s The BFG, on what a set is like when you are eleven.

Seth Dusky

The voice of Milo in Disney’s Mars Needs Moms, speaking about the film for the first time since it came out.

Hiram Garcia and Dinesh Thyagarajan

First interviews on A Minecraft Movie and on Superman (2025), both before anyone else got to them.

Why none of these are paid for.

Nobody buys a seat on this show. No publicist arranges a favour, no label sponsors an episode, and no guest sees the questions in advance.

That is less a moral thing than a practical one. The conversations worth an hour are the ones where somebody gets to say something they have not already said in forty press junkets.

In practice

  • Every guest asked directly, never through a paid placement
  • No questions submitted or approved in advance
  • Nothing cut to protect a relationship

Want to be on the show?

If you have made something and there is a real story behind how, I want to hear about it. I read every pitch myself.